grondfic: (DeathHorse)
It's been a season full of rich and varied fare on tv this Yule. In fact, so packed were the schedules that there was stuff we had to abandon or miss; and there's still a lot that we have to catch up on via recording or iPlayer.

So here is the pick of what we saw, starting with the plethora of Christmas Ghosts that were on offer. There were indeed so many of THEM that I've had to divide them; and take the formidable contributions of Mark Gatiss first:

A Ghost Story for Christmas: Count Magnus (BBC2)
WARNING FOR SPOILERS if you intend to catch up on this one
Read more... )
A Christmas Carol, a Ghost Story (BBC4)
Read more... )
grondfic: (FuchsParadise)
The Vienna Philharmonic Orchestra's grey and white 'uniform' was designed by the recently-late Vivienne Westwood, we are informed, before we swing back into Part 2

Ouvertüre zur Operette „Isabella“ Franz von Suppè
The composer was born in Split to a Viennese mother and Italian father.
This is definitely jolly, as befits a comic operetta; but some swoony bits. Quite a lot of cymbal-bashing by Timpani. Finally, a bit military. Hmmm - wonder of I could construct Isabella's plotine from these slender clues.

Perlen der Liebe. Walzer, op. 39 Josef Strauß
Pearls of love!
Hurrah for the Vienna State Ballet! Everyone is costumed for C18 and, when not duelling by waterfalls, or twirling in pergolas, they're eating strawberries very meaningfully. I love each couple's colour co-ordination. Their costumiers always pay careful attention to stuff like that. Choreographer Ashley Page, and the costumier are both English.

This is surely Laxenburg Palace and grounds - yes, I guessed right! Laxenburg it is - last seen in the tv series Vienna Blood, where our heroes foiled a dastardly bomb plot by throwing the device into that very ornamental lake that we see behind the dancers this evening.

Angelica-Polka. Polka française, op. 123 Josef Strauß
It's Josef's year alright! This dance was dedicated to his wife.

Auf und davon. Polka schnell, op. 73 Eduard Strauß
More ballet, this time at Melk Abbey. Two dancers enact a bloke trying to net a butterfly/woman; who neatly turns the tables and nets him. Short and very sweet.

Heiterer Muth. Polka française, op. 281 Josef Strauß
REVOLUTION!! Here are the Vienna Girls - all ten of them (and thirty odd boys - bler!). Nice how the various soprano voices intertwine though.

For ever. Polka schnell, op. 193 Josef Strauß
This is a very schnell Pollka Schnell! (Schnellisimo?)

Zeisserln. Walzer, op. 114 Josef Strauß
Siskins! Waltzing! One of the orchestra plays a weird thing that produces tweet-noises.

Glocken-Polka mit Galopp aus dem Ballett Excelsior Josef Hellmesberger (Sohn)
Bells Polka - a celebration of the telegraph and Morse Code! And they have some bell-presses, plus the cellos sounded very machine-like. Delightful!

Allegro fantastique. Orchesterfantasie, Anh. 26b Josef Strauß
This is a show-off piece for the orchestra, before the 'Last Night of the Proms' silliness takes over.

It doesn't sound Strauß-y at all! Apparently Johann II is on record as saying "Pepi (Josef's family pet-name) is the more gifted of us two; I am merely the more popular...

Aquarellen. Walzer, op. 258 Josef Strauß
Watercolours. Commissioned for the Artists' Ball.

Encores

Banditten-Galopp Johann Strauß II
From Ruritanian opera Prinz Methusalem. Short but exciting.

An der schönen blauen Donau Johann Strauß II
Panorama of the river as promised. Melk Abbey, with dancers on the balcony and in the rooms.

Radetzky Marsch Johann Strauß I
Here we go. Everyone's allowed to clap along; but only in the loud bits. To Welser-Möst's credit, he's not milking it this year. The audience knows perfectly well what it can and can't do anyway.

And that's it. Maybe, just MAYBE, we'll get over there again ourselves this year. *sigh*
grondfic: (FuchsParadise)
This year's concert is back to 'normal' after two years of no-audience or masked-audience performances. The conductor this year is Franz Welser-Möst, a native of Linz, currently Director of Cleveland Orchestra; but a regular guest with the Vienna Philharmonic.

The programme is somewhat different too; with the main emphasis being on works by Josef Strauß, rather than his father or elder brother Johanns I and II.

And YAYS! Members of the Vienna GIRLS' Choir are present this year (as well as the Boys, natch).

I'm a bit unsure as to the exact female-orchestra-members headcount. They seem to be plentiful amongst the violins, and dotted about amongst cellos, double-basses and of course. harp. No female trumpeters allowed? (Tell that to Alison Balsom!)

And so - on to the first act/interval of the concert:

Wer tanzt mit? Polka schnell, op. 251 Eduard Strauß
Who'll join the dance? By youngest brother Eduard. Very Strauß-y. They do have a homogenous style!

Heldengedichte. Walzer, op. 87 Josef Strauß
To commemorate the dedication of a statue of Archduke Charles on horseback - Heroic-Poem. Nice riff by lady-harpist (who may be Anneleen Lenaerts). Pleasant enough but not heroic enough.

This is a 'lost' work, recently rediscovered.

Zigeunerbaron-Quadrille, op. 422 Johann Strauß II
The Gypsy-baron's quadrille
From an early operetta prefiguring some of Strauß II's later grand operas. Lively!

In lauschiger Nacht. Walzer, op. 488 Carl Michael Ziehrer
A cosy night-in, by one of the rival composers. Just a bit somnolent at the beginning; but the night-in gets a bit friskier later ... hmm.

Frisch heran! Polka schnell, op. 386 Johann Strauß II
Come on in! Probably a little something he knocked off on a cosy night-in. Written for a load of writers and journalists. And this ends the very short first-half.

INTERVAL
They entertain us with a look at the Vienna Exhibition 1973 on its 150th anniversary. Our Conductor will be the guide to various venues.

In spite of a reconstructed 3D model of the exhibition-area, our 'tour' is very confusing. It's unclear which of the structures still survive, and the quintet providing musical accompaniment pop up in sepia tones superimposed on old photos. They start in the Rotunde - once the world's largest dome - only for us to be told that it burned down in 1937!

Eventually I have to Google it; and find that most of it was/is situated behind the Big Wheel in the Prater Park. It was, and remains, an artistic and crafts community.

So our interval entertainment has been less satisfactory than usual, in spite of the nice music.

Part 2 is here: https://grondfic.dreamwidth.org/36953.html
grondfic: (FuchsParadise)
Continuation ....

4th Reading - Angels and shepherds
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St Day Carol (The Holly Bears a Berry)
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O Come all ye Faithful
Read more... )
5th Reading BC-AD U A Fanthorpe
Read more... )
Still Still Still
Read more... )
6th Reading – Wise Men
Read more... )
Three Kings from Persian Lands Afar (mashup with counter-narrative)
Read more... )
7th Reading – St John
Read more... )
O Radiant Dawn James MacMillan
Read more... )
Fantasia on Christmas Carols Vaughan Williams
Read more... )
Prayer and Blessing
Unexceptional.

Hark the Herald Angels Sing
Read more... )
Organ Voluntary J S Bach
Are we going to get any of this, since the programme is verging on an overrun? YES! A snippet plays whilst the creds roll. And now, I'm off to catch up with the Princess of Wales' carol service on The Other Side.
grondfic: (FuchsParadise)
I have this feeling that I haven't done a Carols Commentary since before lockdown. So this year, I'm making a supreme effort (and it bloody well better be worth it!)

Once in Royal David's City
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Bidding Prayer
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Ding Dong Merrily on High
Read more... )
1st Reading – Isaiah
Read more... )
Adam Lay y-Bounden
Read more... )
And snow falls down on me Errollyn Wallen
Read more... )
2nd Reading – from Annunciation Denise Levertov
Read more... )
The Seven Joys of Mary
Read more... )
It came Upon a Midnight Clear
Read more... )
3rd Reading – nativity Luke
Read more... )
Away in a Manger
Read more... )
Tomorrow Shall be my Dancing Day
Read more... )
Part 2 follows shortly ...
grondfic: (FuchsParadise)
Our theatre viewing recently has exhibited some wacky and/or fun tendencies, as Christmas approaches. So here are three quite disparate, yet somehow concept-related experiences:

Dinner with Groucho (Arcola)
Read more... )

A Sherlock Carol (Marylebone Theatre)
Read more... )

The Further Adventures of Peter Pan - The Return of Captain Hook (Ashcroft Theatre, Fairfield Halls, Croydon)
Read more... )

Next up - Christmas, obviously; but after that, we open 2023 with a visit to the latest in new theatres - SohoPlace - to see Leah Harvey, Rose Ayling-Ellis and Alfred Enoch (I may swoon) in As You Like It. Yays!
grondfic: (FuchsParadise)
In the midst of a dark world and subsequent high-anxiety mindset, I have to take my Wonders where I can find them.
Read more... )
Many strikes are happening around here; we're a deeply uneasy, upset, angry society at the moment. So I should hasten to say that I respect Mick Lynch and his merry band of pickets and wish them well in their efforts against an intransigent and possibly dishonest press and government. BUT ...
Read more... )
Theatres, or rather, the squashing of our theatre-visits into one frantic week, so as to avoid next week's cleverly-constructed week of strategically-placed 48-hour strikes.

So -
+ Tuesday evening we take two trains (and a short rush on foot from Waterloo-East to Waterloo) to Richmond Orange Tree Theatre to see Arms and the Man. And very good value fun it was too!
+ Wednesday afternoon we slot-in a visit to a new venue - Marylebone Theatre - to see A Sherlock Carol. This was a joyous mashup of Dickens and Doyle, wherein Holmes is called in to investigate the possibly-suspicious death of one, Ebeneezer Scrooge, a local benefactor.
+ Thursday, we cheated twice - by (a) avoiding the railways altogether in favour of our local cinema where we attended (b) the Royal Opera House's livestream of The Nutcracker, as is traditional for us. It was its usual sumptuous self, but there were a few livestream-glitches which were disturbingly reminiscent of Eastenders catchups on our own ancient, hiccuppy desktop computer.

And now - the other stuff, that comes under the heading ....

.... of Miscellania (which, by the way, is NOT in this instance, an island kingdom in the Lunar Sea in ORS; but rather a plethora of miscellaneousnesses)?

Well, we're cheating again next Wednesday and going to the Fairfield Halls by bus to see a panto - The Further Adventures of Peter Pan – The Return of Captain Hook, starring Ricky Champ (yup, that's Psycho Stu out of Eastenders).

Then there's the World Cup (which we really oughtn't to be watching this time for Reasons, but which we have somehow become drawn into. Will England prevail tonight? They're already one goal down ...

Apart from that, it's just Christmas, looming along with its own freight of anxieties. Will all the post get through, given that there's an intermittent postal strike going on in the sorting offices? And what about the TURKEY? Will guinea fowl do if there's a shortage? And how do I use Amazon to send to my cousin within the EU, and avoid her having to pay tariffs approximately to the value of her present to ransom it from Customs?

In fact it's not very Merry this year. At All. I shall just have to resort to telly-watching ... I hear there may be Wonders this Yule season!
grondfic: (FuchsParadise)
Mr Malcolm's List; I, Joan; Les Ballets Trockadero de Monte Carlo (alias the Trocks)

Mr Malcolm's List (recently in a few cinemas; coming soon on dvd - https://www.amazon.co.uk/Malcolms-List-DVD-Theo-James/dp/B0BBW989DM/ref=sr_1_3?crid=19Y7WD9MHGKY8&keywords=mr+malcolm+list&qid=1662903224&s=dvd&sprefix=mr+malcol%2Cdvd%2C104&sr=1-3 )
A very jolly alt-Regency ethnically-diverse romp starring Zawe Ashton, Freida Pinto, Sope Disiru, Theo James and Oliver Jackson-Cohen.
Read more... )

I, Joan (Shakespeare's Globe)
'Joan was this working class, young person, who was transgressing gender at a time when it as really dangerous and that just felt instantly relatable to me.' (Charlie Josephine, playwright)

“I must alter what they see so they can hear me." (Joan, in play)
Read more... )

Les Ballets Trockadero de Monte Carlo (alias The Trocks) (Peacock Theatre)
Programme A: Swan Lake Act2, Pas de Trois, Nightcrawlers, Valpurgeyeva Noch
Read more... )
grondfic: (DeathHorse)
..... I have issues as to exactly Who to pray to.

But today, I'm praying to EveryGod for Salman Rushdie.

It sounds worse with every news bulletin. PLEASE let him get through this!
grondfic: (DeathHorse)
The best Hamlet I'd ever seen (1965) until Andrew Scott came along in 2015 .... and even then I wouldn't put either above the other. Warner's student revolutionary was just as fresh and innovative in '65, as was Scott's intriguingly left-field Prince in '15.

I also remember him in various film and tv roles - Morgan; a suitable case for treatment, and as a flawed, unhappy ship's captain in Hornblower.

I last saw Warner amongst the audience at Southwark PLayhouse, watching Miles Richardson's take on the little-seen J M Barrie piece Dear Brutus. I'm glad he was there.

Thank you for your Hamlet, that caught me just on the cusp of adulthood and helped shape my Shakespearian course thereafter. Flights of angels, my friend; flights of angels.
grondfic: (FuchsParadise)
Warning for: shameless self-insertion/MarySue
Fandom: Robin of Sherwood/Real(?) Life
With thanks to: [personal profile] rusty_armour for the card (below) Also [profile] raven214, [profile] isadenavarre and [personal profile] karen9 (on LJ); thisbluespirit (on DW), plus C from Australia and M from Poland (via email) for your good wishes on my rather too high a numberth birthday.

This is for y’all! xxxxx

Fandom: Robin of Sherwood

What happens when you receive a card like this ........

https://rusty-armour.dreamwidth.org/191763.html
Read more... )
grondfic: (DeathHorse)
I’m well lost on theatre reviews. We’ve been running around the London West End and (often more daringly) the fringe, since last I reviewed Cabaret (https://grondfic.livejournal.com/293206.html, https://grondfic.livejournal.com/294690.html), yet nary a peep have I written.

So I’m dividing up what we’ve been seeing and will now consider the most memorable of a number of newly-written plays which have been premiered (or are UK-premiers) since November 2021.

One trend that has been prominent is living playwrights writing pieces based on classic literature or drama, and either going deeper into the canon story, or taking it further after the end of the given plotline. In other words – FANFIC drama!

I hope to review some notable revivals, including of course, some Shakespeare, (and some more new plays too) once I’ve looked at these specific ones.

So – welcome to the cutting edge of playwright-ism:

Folk (Hampstead Downstairs)
Playwright:
Nell Layshon
Based on: Real life – Cecil Sharpe and his ‘sources’
Read more... )
The 47th (Old Vic)
Playwright:
Mike Bartlett
Based on: Real life – extrapolated
Read more... )
The Father and the Assassin (National Olivier)
Playwright:
Anupama Chandrasekhar
Based on: Real life - Gandhi’s assassination, and his assassin
Read more... )
Cancelling Socrates (Jermyn Street)
Playwright:
Howard Brenton
Based on: Plato’s Dialogues
Read more... )
Starcrossed (Wilton’s Music Hall)
Playwright:
Rachel Garnet
Based on: Shakespeare - Romeo and Juliet
Read more... )
grondfic: (DeathHorse)
By way of explanation:
My entries on LJ and on Dreamwidth are becoming further and further apart since The Split. Just to complicate matters, this entry is a clumsy attempt to amalgamate another of my LJ personae with that of Grondfic. Anyone interested in my fragmented Robin of Sherwood fic can follow the first 8 parts from the link below, and then return to this latest episode.

I've been [profile] arthurrat for many years. The journal houses my everlasting WiP Chronicles of Guy of Gisburne. HOWEVER, the site became 'lapsed' and in trying to update the password, I've buggered it up worse, just as I was about to add a further chapter. Fortunately, it's still accessible and readable (Parts 1 - 8 linked here: https://arthurrat.livejournal.com/1236.html)

AND SO at the particular request of Isabeau de Navarre ....

Here is Part 9: The Wolf and the Panther

Pairing: Guy of Gisburne/Nasir (Sarak/Nasir implied. Philip Mark/Guy implied)
Rating: Hot
Disclaimers: All characters from Robin of Sherwood are owned by Richard Carpenter, Anthony Horowitz, Robin May & the RoS production team.
Notes: This story takes place 2 - 3 years after the end of Series 3 in a very distant and different setting from Sherwood.
Warnings:
Implied death of character from the Canon
Learned footnotes warning (found at end)
Era-specific slavery
Read more... )
grondfic: (DeathHorse)
Part 1 can be found here -
https://grondfic.dreamwidth.org/31415.html

Author's Note
So sorry this has taken so long! As you will see below, the review rather took on a life of its own (and even then there were things I ran out of time/space to say about it).

Ironically, since I started writing, the show had to temporarily close due to COVID (although, like most theatres, it re-opened again), in spite of all the extra precautions it took. Happily it's due to continue at least until April and perhaps (with some cast changes) longer than that!

Anyway, I hope I can now get on with reviewing all the other wonderful things we saw between Cabaret and Christmas Carol just before Christmas.

*****

OK, so the first thing to say is - "Forget the film!" This piece is adapted from the original stage version of the musical; and contains a few songs and one plotline that doesn't occur in the film. The story here is thus more concise, and very much more pointed than that of the 1972 film.

WARNING for possible spoilers, if you plan on attending the Kit Kat Club:
Read more... )
grondfic: (FuchsParadise)
Johann Strauss II, Die Fledermaus Overture
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Johann Strauss II, Champagner-Polka (Champagne Polka), Musikalischer Scherz, Op. 211
Read more... )
Carl Michael Ziehrer, Nachtschwärmer (Night Revelers), Waltz, Op. 466
Read more... )
Johann Strauss II, Persischer Marsch (Persian March), Op. 289
Read more... )
Johann Strauss II, Tausend und eine Nacht (A Thousand and One Nights), Waltz, Op. 346
Read more... )
Eduard Strauss, Gruß an Prag (Greetings to Prague), Polka française, Op. 144
Read more... )
Josef Hellmesberger II, Heinzelmännchen (Elves), Charakterstück
Read more... )
Josef Strauss, Nymphen-Polka, Polka française, Op. 50
Read more... )
Josef Strauss, Sphärenklänge (Harmony of the Spheres), Waltz, Op. 235
Read more... )
Johann Strauss II, Auf der Jagd (At the Hunt), Fast Polka, Op. 373
Read more... )
Johann Strauss II, An der schönen blauen Donau (The Blue Danube), Waltz, Op. 314
Read more... )
Johann Strauss I, Radetzky March, Op. 228
Read more... )
grondfic: (FuchsParadise)
This year we have Barenboim conducting. And a real-life audience even though subdued, and masked throughout. It's a definite improvement on last year's audience-less effort with the orchestra applauding itself.

We're doing our usual spot-the-female-musician count. On first overview, the orchestra STILL looks overwhelmingly male; but R. spots a lady on double bass, and a female bassoonist. Yays!

So - on with the the music-programme:

Part 1

Josef Strauss, Phönix-Marsch (Phoenix March), Op. 105
Read more... )
Johann Strauss II, Phönix-Schwingen (Wings of the Phoenix), Op. 125
Read more... )
Josef Strauss, Die Sirene, Polka Mazur, Op. 248
Read more... )
Josef Hellmesberger II, Kleiner Anzeiger (Little Advertiser), Galop, Op. 4
Read more... )

Johann Strauss II, Morgenblätter (Morning Papers), Waltz, Op. 279
Read more... )
Eduard Strauss, Kleine Chronik (Little Chronicle), Fast Polka, Op. 128
Read more... )

Interval
Read more... )

(to be continued .... )
Mark Gatiss is an infuriating creative!

He acts; he presents; he adapts. Sometimes he manages to succeed with all three, in one piece.

There's no doubting his genius; but occasionally there's just too much of him; and maybe not enough of his source-material.

So here are two contrasting pieces - one live at the Alexandra Palace Theatre (where he does the first), and one on BBC4 late on Christmas Eve (where he's guilty of the second). (He's actually completed a Christmas treble with The Amazing Mr Blunden on Sky but I shall have to wait until that dvds ... ahem ..verbizing nouns are A Thing atm).

A Christmas Carol (Alexandra Palace Theatre)
Read more... )

The Mezzotint (BBC4/BBC iPlayer)
WARNING FOR SPOILERS if you intend to catch up on this one
Read more... )
grondfic: (DeathHorse)
This piece was definitely in the running for theatrical high-point of the season if for no other reason than the full package costs an arm and a leg. For the purposes of the show, the Playhouse Theatre has been transformed into the Kit Kat Club and, when we made a VERY early booking, we could take a table and order food and drink.

Consequently, we were asked to arrive at the Stage Door at 6.15pm rather than the 7.30pm starting time. In addition, at two days' notice, we were asked to take a covid test because 'prologue-cast' and (selected) audience would be mingling (and anyway, the government had added yet another 'guideline' concerning test'n'trace).
Read more... )
grondfic: (DeathHorse)
Theatregoing continues to be a nerve-wracking experience in many ways. We make it even MORE interesting for ourselves by NEVER HAVING POSSESSED ANY FORM OF MOBILE PHONE (yup, Luddite and proud) .... cue lots of home-printing of tickets and special arrangements for getting various COVID-related proof-of documents.

Undaunted, we continue to dice with Shakespeare, Coward, Hilary Mantel and COVID.

Hamlet (Young Vic)
Read more... )

The Memory of Water (Hampstead)
Read more... )

Blithe Spirit (Harold Pinter)
Read more... )

The Mirror and the Light (Gielgud)
Read more... )

The Cat and the Canary (Churchill Bromley)
Read more... )

I shall be reviewing Cabaret at the Kit Kat Club in the Playhouse Theatre as a separate entry.
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