This year we have Barenboim conducting. And a real-life audience even though subdued, and masked throughout. It's a definite improvement on last year's audience-less effort with the orchestra applauding itself.
We're doing our usual spot-the-female-musician count. On first overview, the orchestra STILL looks overwhelmingly male; but R. spots a lady on double bass, and a female bassoonist. Yays!
So - on with the the music-programme:
Part 1
Josef Strauss, Phönix-Marsch (Phoenix March), Op. 105
( Read more... )
Johann Strauss II, Phönix-Schwingen (Wings of the Phoenix), Op. 125
( Read more... )
Josef Strauss, Die Sirene, Polka Mazur, Op. 248
( Read more... )
Josef Hellmesberger II, Kleiner Anzeiger (Little Advertiser), Galop, Op. 4
( Read more... )
Johann Strauss II, Morgenblätter (Morning Papers), Waltz, Op. 279
( Read more... )
Eduard Strauss, Kleine Chronik (Little Chronicle), Fast Polka, Op. 128
( Read more... )
Interval
( Read more... )
(to be continued .... )
We're doing our usual spot-the-female-musician count. On first overview, the orchestra STILL looks overwhelmingly male; but R. spots a lady on double bass, and a female bassoonist. Yays!
So - on with the the music-programme:
Part 1
Josef Strauss, Phönix-Marsch (Phoenix March), Op. 105
( Read more... )
Johann Strauss II, Phönix-Schwingen (Wings of the Phoenix), Op. 125
( Read more... )
Josef Strauss, Die Sirene, Polka Mazur, Op. 248
( Read more... )
Josef Hellmesberger II, Kleiner Anzeiger (Little Advertiser), Galop, Op. 4
( Read more... )
Johann Strauss II, Morgenblätter (Morning Papers), Waltz, Op. 279
( Read more... )
Eduard Strauss, Kleine Chronik (Little Chronicle), Fast Polka, Op. 128
( Read more... )
Interval
( Read more... )
(to be continued .... )